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An important function of this text is to assist you in selecting appropriate techniques for symbolizing spatial data.
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In section 2 the different uses for thematic maps are described: to provide specific information about particular locations, to provide general information about spatial patterns, and to compare patterns on two or more maps. The notion of a thematic map is described in section 1 and contrasted with the general-reference map, which focuses on geographic location as opposed to spatial pattern (e.g., a topographic map might show the location of rivers). A familiar example is the temperature map shown in daily newspapers the theme (or attribute) in this case is the predicted high temperature for the day. A thematic map (or statistical map) is used to display the spatial pattern of a theme or attribute. Thematic Cartography and Geovisualization OVERVIEW This text covers thematic mapping and the associated expanding area of geographic visualization (or “geovisualization”). Trends in Research and Development Terry A. Proportional Symbol and Dot Mapping Terry A. Selecting an Appropriate Map Projection Terry A. The Earth and Its Coordinate System Terry A. Statistical and Graphical Foundation Terry A. A Historical Perspective on Thematic Cartography Terry A. Thematic Cartography and Geovisualization Terry A. ISBN 10: 7-X ISBN 10: 0-8 ISBN 13: 978-7-7 ISBN 13: 978-0-7īritish Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Printed in the United States of America 15:56:40.ġ.
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The use of any trademark in this text does not vest in the author or publisher any trademark ownership rights in such trademarks, nor does the use of such trademarks imply any affiliation with or endorsement of this book by such owners. All trademarks used herein are the property of their respective owners. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without either the prior written permission of the publisher or a licence permitting restricted copying in the United Kingdom issued by the Copyright Licensing Agency Ltd, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Pearson Education Limited Edinburgh Gate Harlow Essex CM20 2JE England and Associated Companies throughout the world Visit us on the World Wide Web at: © Pearson Education Limited 2014 All rights reserved. Pearson New International Edition Thematic Cartography and Geovisualization Slocum Mcmaster Kessler Howard Third Edition Thematic Cartography and Geovisualization: Pearson New International Edition, Pearson Education Limited, 2013. Astute Graphics' Vector First Aid plug-in can fix a lot of broken things in PDFs, but it can't fix everything.Slocum, Terry A., et al. The stuff is basically un-editable and requires re-building or complete re-creation. The aggravating thing is the pixel images or PDFs with bad art will often be what the customer says is the only files he can provide.
HELVETICA NEUE BOLD NOT SHOWING IN ILLUSTRATOR PDF
That's because if the PDF is not saved properly the artwork will be a crazy mess of clipping masks, clipping groups and sliced and diced images when it is placed into Adobe Illustrator. What's also bad is if the vector artwork has a lot of gradients, transparency effects or other application/plug-in specific bells and whistles. It's common for clients to try sending the first JPEG or PNG they find of the company logo when we request vector-based artwork they'll often place the same pixel-based image into a PDF container and submit that. That's no big deal as long as the artwork is vector-based. Most of the time the PDF contains little more than a logo with solid colors. I get a lot of PDFs as customer provided art files for use in sign designs. But that can open up a whole other can of worms if someone on the other end is using a different version of Illustrator, importing the file into a different graphics program and/or jumping across different computing platforms. Otherwise you have to include the fonts with the file (or embed them in the file if the graphics program has that feature). If the artwork that's being sent in PDF is simple (like if it's just a logo), I recommend converting the type to outlines. A few key options are checked in the dialog box, the biggest being "Preserve Illustrator Editing Capabilities." Any other setting can create quite a mess when the PDF is opened. I think the moral to the story is using the "Illustrator Default" setting for saving PDFs if the content will be brought into Adobe Illustrator (or InDesign) on another computer.